Saving children from hunger

By NICKIE WANG/ Manila Standard Today

While you are reading this article, somewhere in the world, two or three children might be dying or had just died.

Based on the statistic of World Food Program, 18,000 children die each day because of starvation. That is one child after every five seconds.

In an effort to combat hunger, Pizza Hut and Taco Bell, both operated by Philippine Pizza Inc., donated over P1 million to the WFP on Jan. 29 in a ceremony held at Gateway Mall, Araneta Center.

The amount was for the benefit of young children who are pitted in the war-stricken area of Mindanao. The event was graced by Philippine Pizza Inc. chief operating officer Lars Peterson, WFP country director and representative Stephen Anderson, and Social Welfare Department Assistant Secretary Theresa Alano.

“We have been involved in this [program] for a couple of years now, our commitment is, we want this campaign to be the primary vehicle for our costumers, employees, and partners to give back in a way that will benefit people here in the Philippines,” Peterson enthused.

He furthered that the reason why Philippine Pizza Inc. is excited about the program is that unlike some other worldwide programs where the money collected is distributed to many countries, the campaign will benefit those who are in need here in the Philippines.

In coordination with Yum Brands, Pizza Hut and Taco Bell teamed up with United Nations World Food Programme, the world’s leading humanitarian hunger relief organization, to raise awareness and funds to help eradicate hunger. In a period of two months (from November to December), Pizza Hut and Taco Bell had collected an amount of P1.2 million through their 700 coin banks located inside and outside of 150 Pizza Hut and Taco Bell food outlets.

“Our commitment is to continue our partnership with the World Food Programme for many years to come. Our goal, just like the way we try to increase our sales every year, we will to try to increase our donation as well,” Peterson affirmed.

KC Concepcion, the face of the campaign against hunger in the country, was no show at the event. Nonetheless, the young actress who joined the campaign as the National Ambassador against Hunger for WFP-Philippines sent a text message through Anderson that was read before the press.

Her message stated that she wanted to express her sincerest appreciation on behalf of the children and families supported by WFP’s Food-for-Education activities that provide nutritious support during challenging times of conflict in Mindanao. The message also conveyed her apology for not being personally present to grace the momentous event. KC was said to be busy with her tight work schedule for her forthcoming movie.

WFP will use the donation to implement regular school-feeding activities that provide both a daily hot meal and a take- home family ration to 71,000 pupils in 427 schools in the provinces of Sultan Kudarat and North Cotabato.

“We are concentrating in Mindanao. We have always indicated that we could help the government to extend the program in a national setting. But for now, we don’t want to stretch ourselves so we could have a focus,” Anderson explained why WFP specifically indicated the people in Mindanao as the recipients of the donation.

According to Anderson the program in partnership with the Yum Brand started two years ago with a goal to increase awareness and raise critically needed fund to help feed poor children. In Mindanao alone, 60 percent of households have very poor access to food, while 30 percent take life-threatening risks to meet their daily food needs.

Eradicating extreme poverty and hunger is one of the United Nations Millennium Development Goals.

Rachelle Ann reaffirms the title ‘ultimate champion’

By NICKIE WANG/ Manila Standard Today

At the Music Museum on Jan. 31, Rachelle Ann Go held a coming-of-age performance as she brought down the house and showed the audience why she is called the “Ultimate Champion.”

Although it didn’t start right on time, the two-hour concert opened with a loud bang as Rachelle appeared at the center of the stage in a skimpy shorts singing “Womanizer,” “Supergirl,” and “Single Ladies (Put a Ring on It).” After the bouncy opening number, the medley was then followed by Rachelle plugging a new album Falling In Love, which was coincidentally the same title of her second major solo concert.

As the plugging continued, she sang the carrier single of the album, “This Time I Will Be Sweeter,” and announced that the album was just officially launched on Asap a couple of weeks back. She sang two more samples from the latest album like covers of Bread’s “If” and Dennis Lambert’s “Of All the Things.”

Special guests

The second day of Rachelle’s solo concert was graced by artists who have always been supportive of her whenever she had a performance. Mark Bautista shared the stage with her and sang an unfamiliar song while Rachelle was at the backstage changing her wardrobe.

When Rachelle reappeared, she indulged the audience with a sexy performance singing Shontelle’s “T-shirt,” Leona Lewis’ “Bleeding Love,” and Pussycat Doll’s “I Hate This Part Right Here.”

One of the loudest cheers from the jam-packed Music Museum was for the appearance of Christian Bautista who collaborated with Rachelle in an awe-inspiring rendition of Beyoncé’s “If I Were A Boy.” Christian was singing, “If I were a girl.” Although it was obvious that the former lovers just did it for the show, the act clicked to the screaming audience.

Christian gave an entertaining performance while Rachelle was at the dressing room for another change outfit. The crooner serenaded the crowd with Joe Cocker hit “You Are So Beautiful” and another similar song popularized by Joshua Kadison (“Beautiful In My Eyes”).

While some people thought Christian was the big treat, Gab Valenciano blasted the stage in a production of Chris Brown’s chart topper “Superhuman.” After the dance number, that saw Rachelle and Gab in an intimate lifting stunts, Gab caressed the keyboard as her rumored girlfriend sang a love ditty.

Total performer

Proving that she is a versatile performer, every time she reappeared on stage she splashed elaborate production numbers complete with hippie and giddy choreography. She bounced her body and sang like she didn’t even catch her breath, and still pitch-perfect.

In the middle of the concert, the singer admitted that she lost her voice after the first day of the concert and that she was so thankful she got her voice back right before the concert’s final day. Ogie Alcasid, who was the last special guest, said that her vocal problem was not evident for she sang every song perfectly.

The singer songwriter covered Rachelle, who had her third costume change, and sang several of the songs he penned like “Kailangan Kita” and “Kailangan Ko’y Ikaw.”

Songs of her life

For every costume change (a total of four costume changes) and whenever she reappeared on stage, Rachelle would always let the audience know the importance of every song she was about to sing. She performed classics that have been part of her life, contemporary music she enjoys listening to, songs that complete her day, and songs that have always been associated to her rise as a popular young diva.

She made heartwarming versions of Barbara Streisand’s “All I Ask of You” and a gospel song entitled “Jesus Loves Me.”

For every transition, she also shifted singing songs of different genres. From pop and R&B during the first parts of the concert, she geared toward singing music from the ’70s and ’80s like “September,” “A Night to Remember,” “I Love the Nightlife (Disco ‘Round),” “I Will Survive,” and “Let’s Dance (Tonight).”

For the finale, Rachelle sang the only Filipino song in the entire concert (except for the ones Alcasid performed) “Bakit.” Then it was followed by Mariah Carey’s “Through the Rain,” the ultimate song she sang during the finals of Search for a Star, and Melissa Manchester original “Don’t Cry Out Loud,” which was her first-ever known hit coming from the self-titled album that went double platinum.

Off on a tangent

The concert was supposed to be a pre-Valentine offering of Rachelle Ann Go. With the lineup of songs she performed, and the redundant spiels she dropped when she conversed with the audience, the concert just sounded like an outline or a gist of her career that spans over five years.

She certainly proved that her talent is a great delight to someone looking for an impressive entertainment experience but she needs more original materials and a couple more hits to bring her natural talent to a bigger venue like the Big Dome. If she did that, she will no longer have to ask support from other artists to back her up so her concert would draw more audiences.

Karylle finally finds her love

By NICKIE WANG/ Manila Standard Today

Last year, in the last three months particularly, Karylle was confronted with issues that put her at the center of attention. Who can forget the controversial smile that generated a lot of reactions from people who tried to ride on the bandwagon of her bittersweet moment?

Months after the much publicized breakup with longtime boyfriend Dingdong Dantes, Karylle revives and reinvents herself as an independent single lady. Well, she should thank Beyoncé’s song “Single Ladies” because it has been the mantra of her newfound image.

Endorsements, television series, movies, concerts, and albums, name it; she is becoming busier than ever. Indeed, she gets the sympathy of not just the public but of the entertainment industry as well. It’s just the upshot of what people see on her —a more determined artist.

Wearing a sangria colored dress, Karylle welcomed the press in an intimate launch at the Edsa Shangri-La on Jan. 28. Looking stunning, she greeted everyone with a vibrant smile.

Before the open forum started, she rendered a song entitled “Touch Me in the Morning” in a very engaging way, and just like what the song says, “We don’t have tomorrow but we had yesterday,” the 27-year-old singer-actress can now openly discuss her failed relationship without her going into a teary-eyed moment.

Karylle’s answers to the questions sounded more positive as if she has fully recovered from the heartbreaking experience. Although she claims that love is still there, and admits that Dingdong served as an inspiration to improve her craft, she could only hope that one day she could just brush it aside and laugh about the love affair she had with the actor.

“People have to hear it from your mouth, but it doesn’t stop there. Time will come that I could just talk about it, laugh about it, and there are no more tears,” Karylle said.

On Valentine’s Day, at the Lobby Lounge of the Edsa Shangri-La Hotel, Karylle will pour her heart out and express deep emotions singing songs that will make people fall in love in a concert entitled The Magic of Love. She will be backed up by the band Reasons that has been working with her for more than a year now.

“I always feel that I have so much love to give, there’s a lot of love inside of me and I think it’s inherent among people. Instead of giving it to just one person, as an artist it’s good that you can share your love with your audience. That’s what I love about music, it’s one way to release all these love,” she explains on how to reconcile the title of her concert and her status as a single.

Moving on

As a woman and a determined artist who hurdles such tough moment in her life, she finds refuge in the people surrounding her. Her passion in music, meanwhile, serves as another outlet in which she can unleash all the emotions that she has been suppressing of late.

“There’s a certain connection that I feel now with my audience. People give me smiles or words of assurance or support. I see it in their eyes. They actually say certain things to me that help me at this time in my life,” Karylle related.

She reveals that Rhonda Byrne’s The Secret has helped her in realizing things that are happening in her life right now. The book gave her certain amount of optimism and taught her how to tap positive energies that could help keep her composure in the middle of difficult situations now that she is in the moving-on phase.

Finding another love is currently not her priority, “Besides nobody is courting me right now,” she says. There are men who flank her but most of them have stated their intentions and according to Karylle these are clear.

“A lot of people are befriending me. These people have clear intentions even the ones who are being linked to me right now,” she reveals pertaining to Jericho Rosales and Christian Bautista.

Karylle doesn’t mind being loveless. She mentions that she feels good that there are women and other friends who call her and send her text messages saying that they are singles, too.

“These are people who are not really close to me but we find time to bond with each other. I think somehow, it’s a good time to be single now that it is no longer a taboo word, not like, ‘Ay ang kawawa mo naman.’ I think we try to look at it on the positive side,” she says while throwing a beautiful smile.

Karylle’s Feb. 14 concert at the Edsa Shangri-La begins with a dinner at 7 p.m., the performance is at 8 p.m. For reservations to the romantic evening concert, call Edsa Shangri-La Hotel at 633-8888 local 2777.

Life begins anew as CCP turns 40

By NICKIE WANG/ Manila Standard Today

Along Roxas Boulevard lies one of the country’s greatest treasures. It has been the symbol of Filipino ingenuity, a venue that showcases incomparable local talents, a catalyst for a major leap in cultural development and preservation, and the world’s window to the Philippines as the Asia’s Mecca of culture and the arts.

The Cultural Center of the Philippines, or just CCP to many, marks its 40th anniversary with a year-round celebration that will feature special performances and events. Some of the most talented and well-known artists and performing arts groups will gather together for the celebration.

“The CCP has been the home of the most outstanding performing arts groups in the country. For the last four decades it has helped discover, nurture and support Filipino artists. I think that’s one of the major achievements of the CCP,” president and artistic director Nestor Jardin said during a press conference that unveiled the roster of events prepared by his staff.

The calendar of activities starts with the grand public launch of the 40th Anniversary Celebration tomorrow, Feb. 1, during the annual CCP Pasinaya Open House Festival that coincides with National Arts Month.

Opening salvo

Highlighting the anniversary is the first chunk of activities that will revolve around the fact that the CCP for the last four decades has helped discover, nurture, and support Filipino artists.

“The whole celebration is built around activities that will not only be celebratory but activities that will help the Filipino public recall what is CCP’s role now in the society, and what was its work in the past,” Jardin enthused.

For initial offering, Tanghalang Aurelio Tolentino restages the comedy musical Zsa Zsa Zaturna (Ze MuZikal) from Feb. 3 to 8. On the same week (Feb. 6 to 8), a showcase of the country’s dance groups in folk, ballet, contemporary, and street dance will entertain the public with series of motion and steps in a dance gala entitled Turning… Turning 40 at the Main Theater.

Just outside the main theater, a projection bombing light and sound spectacle at the façade of the CCP building will show the latest outstanding works in animation and graphic arts. This display dubbed Skin will take place on the night of Feb. 7.

On Feb. 13, as the Philippine Philharmonic Orchestra marks its sixth season concert, a grand musical extravaganza called Gabi ng Musikang Pilipino: A Rendezvous with National Artists at the Main Theater will be staged featuring the works of Filipino National Artists like Felipe de Leon, Antonino Buenaventura, Lucrecia Kasilag, and Lucio San Pedro.

From Feb. 19 till the end of March, the different venues at the CCP will witness an array of different performances, musical, concerts, drama and exhibits that celebrate the excellence and accomplishments of Filipino artists in different fields.

Tribute to Imelda

Formally inaugurated on Sep. 8, 1969, the CCP was the brainchild of then First Lady Imelda Marcos, and as the institution celebrates 40 years of fruitful years, an Imeldific tribute will be dedicated especially to honor the visionary woman who created it.

“You cannot ignore the fact that this was her vision, this was her idea. We’re looking at it from an institutional point of view. For this year we’re not only inviting her, we’re paying her a tribute,” Jardin told the press during an open forum held inside the Main Theater.

Jardin announced that the special tribute is slated on Sept. 8. It will be a whole day event capped by an eight o’ clock gala at the Main Theater. On Sept. 11, the special tribute will continue featuring the artists whom Mrs. Marcos supported in the past.

New logo

With a new logo that still symbolizes katotohanan (truth), kagandahan (beauty) and kabutihan (goodness), a new representation has been introduced that depicts CPP’s transformation from small stones to strong boulders that anchor and support excellence in arts and music in the country within the past four decades. The logo bares the new slogan, “Life Begins Anew.”

“When we were having, I think Christmas mass or another anniversary mass, our parish priest congratulated us on our 40th anniversary and said that when we celebrate milestone anniversaries we should always recall, rejoice, and then renew,” the artistic director recalled.

Jardin said that based on those three Rs (recall, rejoice, and renew), the people in the CCP have built around the next six months a program that would allow them to not only reminisce but also show to the public the accomplishments of the CCP.

“Our projects within the past 40 years have helped create an outstanding body of original Filipino works that speak of us as a nation and has helped define our national identity,” Jardin related.

Through various programs that are not only limited in Metro Manila, the people behind the institution believe that the CCP has contributed a lot in promoting cultural empowerment in the country.

Defining the future

“The CCP has been a catalyst in the creation of original, cutting- edge, innovative work by young Filipino artists.”

In May, a major forum will be conducted to help CCP define its future direction. As it continuously involves and encourages more young artists to promote their works, a series of events is dedicated to acknowledge contemporary talents and art.

For the months of June and July, the theme will be Brave New Works: Original Filipino Creations. New works in literature will be presented in a literary performance series entitled Word Jam: Spoken Word Festival on June 10 to 24 and July 1 to 8. A concert of classical artists in tandem with artists from Philippine cultural communities will be featured in Cultures in Harmony on June 21. Playwrights collaborate with directors, actors and designers in staging their untried, untested, and unpublished works in Virgin Labfest 5 on June 24 to July 5 back-to-back with WI-FI Body: Independent Dance Festival with cutting-edge works by the country’s most exciting choreographers today. New symphonic works will be premiered in Music Underkunstruktion on July 15 in a co-production with the Metro Manila Community Orchestra. Also in July are the Thirteen Artists Awards and Exhibit and the much-awaited Cinemalaya Independent Film Festival and Competition.

All venues of the CCP Complex will be part of the grand event including Star City and the Manila Bay.

One-man show retells engaging story

By NICKIE WANG/ Manila Standard Today

The story itself is an engaging tale of a personal struggle and a quest for identity. It chronicles a journey that covers the time when the character was just a kid seeing a hula dance for the very first time until it became a permanent part of his life. Dance, music, humor, and cultural values are integrated to essay the fascinating life of Keo Woolford in a stage production entitled I Land.

Fresh from his off-Broadway outing, Keo is here in Manila to stage his semi-autobiographical journey in a one-man show set to run at the Cultural Center of the Philippines’ Tanghalang Aurelio Tolentino starting Jan. 22, 8 p.m.

Accentuated by Keo’s exceptional talent, I Land is a moving search for the meaning of heritage in a post-modern world weaving together traditional Hawaiian hula, hip-hop, Hawaiian talk story, and spoken word.

“The story starts when I first saw hula which I was a kid until I would be in my early to mid- twenties,” acclaimed actor and hula dancer Keo Woolford shared during an interview with Standard Today.

His story

The show chronicles Keo’s first exposure to hula and how he came under the instruction of his idol, whom he dubs the “Hula god.” In the production, he also describes his fleeting brush with fame as a member of a boy band that almost hits the big time; his subsequent descent into a world of drugs and partying; and his rediscovery of the dance that connects him to both his culture and to himself.

“It’s a one hour and twenty minutes of performance,” Keo, who is fit to be an undergarment model with his chiseled physique, said and continued: “So it’s more of the adrenaline rush that keeps me going. I can’t see them [audience] and I’d rather not because it makes me nervous, but I feel the audience. It’s actually the audience that keeps me going. Audience is the key to my every performance.”

I Land as a one-man show also features original songs and choreography done in the ancient or traditional style known in Hawaii as kahiko. The one- hour-and-twenty-minute production will give the audience an experience seeing an engaging actor, who was born and raised in Hawaii to a Filipina mother and to a Hawaiian father, morph into a dozen characters.

The actor’s passion in music, dancing and acting began at a very young age that being a multi-disciplinary artist is no longer surprising.

“Acting is my passion. It’s so funny because when I was younger, right before I got into acting, I never thought that I was going to be an actor. When I was sort of figuring out what I was going to do with my life in music, I wanted to be a pop star,” Keo laughed as he sipped his coffee.

Aside from being an actor, dancer, and a musician, Keo is also a prolific writer. In 1995 in Los Angeles, he penned the one-man show He Hawai‘i Au. The show earned him praises that opened new windows of opportunities.

Keo’s remarkable performances include a plum role in a production entitled In My Father’s House that earned him a Virgo Award for Best Actor. In New York, he has been seen in Karaoke Stories, The Greeks, References to Salvador Dali Make Me Hot, Sonnets for an Old Century, and The Remarkable Journey of Prince Jen. His film and TV appearances include East Broadway, Hawaii, True Vengeance, and Happy Texas.

Turning point

In 2007, before the off-Broadway staging of I Land, Keo’s mother passed away. It was one of the defining moments for the actor because he had to stage the show a day after the funeral.

“The off-Broadway run is ironically the toughest run I have ever did. The thing that was really really tough, I don’t know if I should talk about this, is when my mom passed away right before opening night. The funeral was a day before the performance so from my mom’s funeral I went straight to the theater,” the actor narrated.

Despite the loss, his mother’s death pushed and inspired him to pursue his performance and thus his career. He found his self-salvation through music and claimed: “Dancing is therapeutic. Dancing with music is a way of self-salvation because it’s so raw and natural that people celebrate with it. You could be by your self; listen and dance around and it’s like you’re connected to the universe.”

He lands

I Land was created by Keo in collaboration with director Roberta Uno. Uno encouraged him to write something again as to follow up his first self-penned show more than a decade ago.

“I’m really grateful that I have gone through what I have gone through because it enabled me to share my experiences. I actually turned her [Uno] down at first because I said, ‘What am I going to say and who will care to hear about it,’” he affirmed.

The production will highlight the hula dance that has been famed for its unique style. According to Keo, hula is like a bunch of different things because it involves history, language, and values. A hula dancer also needs to learn a language and a history that are essential in telling a story.

“Hula is more about expressing the story you are telling more than the actual body movements and that it’s the key or the correlation between hula and acting. Before you even learn anything else, you need to learn the basic steps and that took me a long long time. Some people don’t have the patience, skill, and the attitude,” Keo concluded, disclosing that hula doesn’t work for everyone.

I Land’s limited run from Jan. 22 to 25 at the Tanghalang Aurelio Tolentino is a fundraising activity spearheaded by the Asian Cultural Council Philippines for the benefit of the ACC Philippine Fellowship Program and the Makiling Academic and Research Institute for the Arts (MARIA) Scholarship.

Call the CCP Box Office at 832-3704 or 832-1125 loc. 1409 or call Ticketworld at 891-9999 for more information.